140 x 210 mm, 80 pages, hold together with metal file fastener, 120gr offset paper, Typeface: HAL Timezone, VTF Victorianna


HumDrumPress is a collaboration-based publisher. Roles and responsibilities are therefore shared by all parties, within their capacities. The following persons contributed in a multitude of ways to making this publication possible: Betül Aksu, Wibke Bramesfeld, Federico Bressan, Carlo Carnevale, Chiara Carrera, Alessandra Castellazzi, Federico Clavarino, Gabriele Cremonesi, Matteo De Giuli, Roberto Fabra, Elena Fassi, Marco Ferri, Alice Fiorelli, Amy Gowen, Lili Huston-Herterich, Tami Izko, Pule kaJanolintji, Irena Komarova, Kit Kuksenok, Mikhail Paramonovich Komarov, Lora Linden, Jelena Mair, Giulia Mentasti, Vittoria Mieli, Lea Minow, Engy Mohsen, Alessandro Polo, Nicolò Porcelluzzi, Viviana Porras, Miranda Secondari, Stella Succi, Pier Mauro Tamburini, Eleonora Toniolo, Laura Tripaldi

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Elisa Lemma

Hidden in Plain Sight

• Collective practice
• Collective learning
• Listening practice
• Music
• Classical Music
• Open conversation
• Commons

What do we hear when we listen to classical music? Coloured chords? Giant drops and secret doors? Rolling cats and frantic moths?

Hidden in plain sight. Sonata for many voices is the ongoing research attempt towards a commons-based and inclusive attention practice for classical music listening. Listeners with all kinds of backgrounds and musical experience (and especially none) met over the course of eight months to shape a collective practice where music perception was shared and interpreted with the same, undivided attention that it takes to learn a new language. This publication invites its readers to engage in the conversations and findings of the participants who took part in this research project, as well as giving space to contribute to a growing collection of perceptions, ideas and sensitivities.