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Softcover, 90 x 150 mm, 336 pages, Paper: Ensocoat 240gr, Munken Lynx 90 gr, Printed by Offsetdruckerei Karl Grammlich GmbH, Typeface: Timezone, HAL Typefaces

HumDrumPress is a collaboration-based publisher. Roles and responsibilities are therefore shared by all parties, within their individual capacities. The following persons contributed in a multitude of ways to making this publication possible: Golnar Abbasi, Fyn van Ast, Lila Athanasiadou, Clara Balaguer, Selçuk Balamir, Milena Bonilla Galeano, Sofia Boschat-Thorez, Teana Boston-Mammah, Leana Boven, Wibke Bramesfeld, Hayfaa Chalabi, Seecum Cheung, Bibi Fadlalla, Gabriel Fontana, Amy Gowen, Aimeric Guerre, Sami Hammana, Diana Ioniţă, Sumia Jaama, Jelien de Jong, Carmen José, Maaike Knopert, Jessy Koeiman, Pablo Lerma, Alfrida Martis, Skye Maule-O’Brien, Nova Mensach, Alina Najum, Rosa Pons-Cerdà, Ilinca Ryo Radoi, Izzy Ramos, Kari Robertson, Pris Roos, Ali Şahin, Sara Sallam, Ana dos Santos, Bobby Sayers, Iris Schutten, Irina Shapiro, Ioana Stoilkova, Michelle Teran, Amy Suo Wu

With thanks to WdKA Research Center and Willem de Kooning Academy for supporting this publication.

Convened by Michelle Teran, Ali Şahin, Kari Robertson, Pablo Lerma

Wor(l)ding:
A Harvested Glossary for Social Justice in Arts Education and Beyond

Wor(l)ding: A Harvested Glossary for Social Justice in Arts Education and Beyond is a glos­ sary of references harvested from discourses of equity, diversity, inclusivity, social justice, and social practices, not only in an arts edu­ cation context, but also as part of broader, systemic urgencies.

Words are contextualised through a praxis of referencing the many writers, thinkers, artists, and creators who have deeply engaged with, or even coined, the terms in this publi­ cation. Multiple interconnected struggles are interwoven through and within the voices that are present in this glossary. This approach acknowledges that we already have all the tools and words we need; the work is not to innovate or invent, but to amplify and connect.

Wor(l)ding emerges in a time of institutional cultures of austerity, against a global backdrop of rising fascism in the Global North and horrific imperialist, neo­colonial violence (in Congo, Gaza, Sudan, Tigray, and many other places). At moments such as these, it is vital to take stock of where we are, and to share what tools, allies, and words we have.